Monolith - Limited Edition

An absolute frequency, emanating from within.

Banner Image

Monolith is the second artwork in REACTOR. Carved from macro studies of clustered, synthetic ultramarine pigments. It is an absolute frequency: a superior refraction of light that pushes the color gamut to its limit. By absorbing long-wave light so profoundly, the blue appears to emanate from within.

Monolith

Four formats, four closed editions


104 500,00 SEK

Item is unavailable

Outside the EU, VAT and Import fees may apply on delivery.


  • Signed and editioned by hand
  • Printed by Atelier Kalle Hellzén in Stockholm, Sweden
  • Archival pigment print on textured fine art paper
  • Certificate of authenticity included
  • Packed in archival materials, with tracked delivery

Swedish Pine & Hand-cut Glass

The frames we use are customised to size and locally handmade. The structures are built from solid Swedish pine (furu); a stable, light wood chosen for its rigidity and even grain.

Sizing chart

Flush Mount

A traditional gallery-style configuration where the artwork is mounted directly against the glass. This creates a stable, low-profile presentation.

  • Mounting: Flush mount (no air gap between print and glass).
  • Glass: 2 mm float glass.
  • Construction: Solid Swedish pine with a 15 mm (0.6 in) face and a 30 mm (1.2 in) depth.
  • Archival Integrity: Assembled using acid-free adhesives and pH-neutral materials.
  • Frame size: 29 × 43 cm (11.4 × 16.9 in) and 43 × 65 cm (16.9 × 25.6 in)

Float Premium

A museum-grade configuration where the print sits raised from the backing. This allows the paper edges to cast a shadow and creates a three-dimensional depth within the frame.

  • Mounting: Professional float mount (3D shadow effect).
  • Glass: Museum Glass. 2 mm hand-cut, UV-resistant, non-glare art glass. Protects the surface while maintaining absolute optical clarity and reducing reflections.
  • Construction: Deep-profile shadow box in solid Swedish pine with a 15 mm (0.6 in) face and 30 mm (1.2 in) depth.
  • Archival Integrity: Strictly acid-free components—from mounting adhesives to sealing tapes—to ensure long-term structural stability.

Technical Proportions

To maintain visual balance, internal margins (mats) are weighted based on the artwork's dimensions. For a standard large-format work, the proportions follow this logic:

  • Face Width: 15 mm (0.6 in)
  • Frame Depth: 30 mm (1.2 in)
  • Standard Margins: 35–45 mm (1.4–1.8 in) at the sides and top; 45–55 mm (1.8–2.2 in) at the bottom.
  • Frame sizes: 37.5 × 51 cm (14.8 × 20.1 in) and 52 × 70.5 cm (20.5 × 27.8 in)

Editions

Monolith is issued in four formats. Each is a closed edition, and the structure below is complete.

  • 297 × 420 mm, 11.7 × 16.5 in, paper. Edition of 150, numbered.
  • 420 × 594 mm, 16.5 × 23.4 in, paper. Edition of 50, numbered.
  • 1120 × 1680 mm, 44 × 66 in, canvas. Edition of 1, unique in this format.
  • 1520 × 2290 mm, 60 × 90 in, canvas. Edition of 1, unique in this format. Framed.

Every work ships with a signed certificate giving its format, substrate, edition size and position, and date of issue. The certificate carries the full structure above, so what you hold is documented against everything else of this image that exists.

Both canvases are held by The PhotoGallery and are sold through the gallery. 1120 × 1680 mm is exhibited in Halmstad, 1520 × 2290 mm in Palma de Mallorca. Enquire at contact@thephotogallery.se.

Limited Edition of 150: Paper & Image: 29.7×42 cm (11.7×16.5 in).

Limited Edition of 50: Paper & Image: 42×59.4 cm (16.5×23.4 in).

One-of-one: Canvas & Image: 1120x1680 mm (44x66 in)

Origin
Macro photography of clustered PB29, synthetic ultramarine blue pigments.

Edition
Printed on 310 gsm Hahnemühle William Turner, a 100% white cotton paper. Characterised by a fine, highly pronounced felt structure, this mould-made paper provides physical depth and texture. The surface is free of optical brighteners and protected by a matte archival coating, ensuring deep blacks and sharp contrast. The paper is acid and lignin free, and ISO 9706 compliant for high age resistance.

Hahnemühle William Turner
310 gsm, 100% cotton
White, without optical brighteners
Fine, highly pronounced felt structure
Matte premium inkjet coating
Acid and lignin free
ISO 9706 compliant for high age resistance
Lucia Pro II Pigment Ink

One-of-one
Realised on Hahnemühle Canvas Artist, a matte-coated, natural white canvas. It is free of optical brighteners and features a coarse woven texture that gives the surface physical weight and depth. This substrate provides precise reproduction of colour and detail, with deep blacks and sharp contrast. The canvas is acid and lignin free, highly age resistant, and suited for mounting on stretcher frames.

Hahnemühle Canvas Artist
340 gsm, poly-cotton mix
Natural white, without optical brighteners
Coarse canvas texture
Matte premium inkjet coating
Acid and lignin free
ISO 9706 compliant for high age resistance
Epson UltraChrome PRO Pigment Ink

Please note that digital screens cannot perfectly replicate physical pigments; the print itself is the definitive reference for color and texture. Subtle variations in character are inherent.

Unpacking & Surface Safety

  • Edge Sensitivity: The work has a handling border, but the edges are part of the composition. Handle with care to avoid crimping or marking the corners.
  • Glove Use: We strongly recommend wearing lint-free cotton gloves during any handling. The surface of the paper is highly sensitive to the natural oils and moisture from fingertips.
  • Surface Contact: Avoid sliding the print against any surface. The structure can be prone to scuffing if moved across a rough plane.

Framing Recommendations
For collectors opting to frame the work themselves, we recommend a professional float mount to maintain the work’s intended presence. To reproduce the atelier’s signature look, instruct your framer as follows:

  • Mounting: Float the print on an acid-free backing board to leave the mould-made edges visible.
  • Frame Profile: Request a discrete wood profile with a 15 mm (0.6 in) face and a 30 mm (1.2 in) depth.
  • Glass: Specify reflex-reducing museum glass with UV protection to preserve the pigment integrity over time.
  • Materials: Ensure all mounting tapes and adhesives are strictly acid-free (syrafria).

Environment & Longevity
While the paper is ISO 9706 compliant for age resistance, the work should be placed in a stable environment. Avoid areas of high humidity or direct, prolonged exposure to high-intensity UV light. Do not place the work directly above active heat sources such as radiators or fireplaces.

All works are shipped with tracked delivery. Insurance is included where available through our shipping partners. We ship to collectors worldwide.

Limited editions typically dispatch within 5 to 10 business days after order date.

FROM THE ATELIER

The darkness in the head gives the world its colour. I navigate the world through light and contrast rather than representation — as a red-green colourblind artist, I lean on intensity, structure, and friction to steer a dialogue between machine perfection and human shortcomings. Rather than the flawless, I look for beauty in the unstable, the broken, and the living.

A Work of Love

We work hard and love what we do, so collectors love what we do too.

Read Reviews

SECURE AND INSURED SHIPPING

All works are packed art safe with archival materials and shipped with tracked and insured partners.

Easy replacements

In the rare event of a shiping damage to your art—we will replace it straight away.

WHAT COLLECTORS SAY