I navigate the world through light and contrast rather than representation. As a red-green colourblind artist, I lean on intensity, structure, and friction to steer a dialogue between machine perfection and human shortcomings.

Through both traditional and digital painting, photography, material experiments, and generative loops, I let past and future meet in a cycle. These original works, whether prints, transfers, or modular objects, are the result of a process grounded in curiosity about my own faults, from the purely physiological to the darkness in the head.

So rather than the flawless, I look for beauty in the unstable, the broken, and the living. In my works, reality vibrates and chafes. The work often becomes an investigation of what it means to hold together when everything falls apart, in narrative figurative pieces and in material-driven abstraction alike. It is a portrayal of the human as flawed, and precisely for that reason, complete.