I navigate the world through light and contrast rather than representation. Being red-green colourblind, I rely on intensity, texture, and friction to guide a dialogue between mechanical perfection and human shortcomings.

Through both traditional and digital painting, photography, material experiments, and generative loops, I allow past and future to converge in a continuous cycle. Here, my original works, whether as prints, transfers, or modular objects, are the result of a process rooted in a curiosity about my own flaws; from the purely physiological to the darkness of the mind.

So, instead of the flawless, I search for beauty in the unstable, the broken, and the living. In my works, reality vibrates and chafes. My practice often becomes an exploration of what it means to hold together when everything falls apart, within both narrative, figurative pieces and material-driven abstraction. It is a portrayal of humanity as flawed, and for that very reason, perfect.