- The IMPACT Series -

A series of one-of-one artworks where colour reveals its full spectrum.

IMPACT isolates the split second when pigment, medium, and physics reveal their hidden spectrum. Each work in the series is created through macro capture, digital and generative refinement, and analogue return, making every piece a singular record of colour at the moment of impact.

IMPACT 0005

Hand-signed Original Artwork, 1/1 | 420×594mm, 16.5×23.4in

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Archival pigment on metallic fine-art paper
Signed by hand
Packed art-safe, ships insured
Certificate of authenticity included

IMPACT extends the core of my practice into its most distilled form.

The works originate from macro studies of pigment, medium, chemistry, and physics interacting at close range, evolving through cycles of digital and analogue processes. I focus on the split second in which surface tension breaks and the components pull apart, revealing their full spectrum in a volatile choreography before settling into a single mix. This moment of exposure before collapse mirrors the tension that has always driven my work.

With IMPACT, the substrate is not a background but a threshold, a surface that carries all colours within it. When that surface breaks at impact, the material spectrum and my own internal spectrum become briefly visible together.

Each work in the series is singular, non-reproducible, and hand-signed.

Hand-signed Original Artwork, 1/1
420×594mm, 16.5×23.4in

Hahnemühle Photo Rag Metallic
340 gsm, 100% cotton
Natural white, without optical brighteners
Sophisticated surface texture with a unique, silvery-shimmering metallic effect
Acid and lignin-free
ISO 9706 compliant, museum quality for high age resistance
Lucia Pro 2 Pigment Ink, Matte Black

Please note that digital screens cannot perfectly replicate physical pigments; the print itself is the definitive reference for color and texture. Subtle variations in character are inherent.

FROM THE ATELIER

The darkness in the head gives the world its colour. I navigate the world through light and contrast rather than representation — as a red-green colourblind artist, I lean on intensity, structure, and friction to steer a dialogue between machine perfection and human shortcomings. Rather than the flawless, I look for beauty in the unstable, the broken, and the living.

READ THE PROCESS