Heavy by Light

Swedish Pine & Hand-cut Glass

The frames we use are customised to size and locally handmade. The structures are built from solid Swedish pine (furu); a stable, light wood chosen for its rigidity and even grain.

Sizing chart

Flush Mount

A traditional gallery-style configuration where the artwork is mounted directly against the glass. This creates a stable, low-profile presentation.

• Mounting: Flush mount (no air gap between print and glass).
• Glass: 2 mm float glass.
• Construction: Solid Swedish pine with a 15 mm (0.6 in) face and a 30 mm (1.2 in) depth.
• Archival Integrity: Assembled using acid-free adhesives and pH-neutral materials.
• Frame size: 29 × 43 cm (11.4 × 16.9 in) and 43 × 65 cm (16.9 × 25.6 in)

Shadow Box

A contemporary presentation where the artwork is set back from the glazing using an internal spacer. This creates a protective physical gap, ideal for preserving the unique surface of metallic or textured papers, while introducing a subtle three-dimensional depth to the frame.

• Mounting: Spacer mount (an internal spacer creates an air gap, ensuring no surface contact between the print and the glass).
• Glass: Museum Glass. 2 mm hand-cut, UV-resistant, non-glare art glass. Protects the surface while maintaining absolute optical clarity and reducing reflections.
• Construction: Solid Swedish pine with a 15 mm (0.6 in) face and a 30 mm (1.2 in) depth.
• Archival Integrity: Assembled using strictly acid-free components—from the internal spacers to the sealing tapes—to ensure museum-quality age resistance.
• Frame size: 29 × 43 cm (11.4 × 16.9 in) and 43 × 65 cm (16.9 × 25.6 in)

Paper sizes include a gallery border.

Scale 0, Edition of 150
Paper: 11⅓" × 17" (29 × 43 cm)
Image: 8" × 12" (20 × 30 cm)
Gallery border: 1⅔" sides (4 cm), 2½" top and bottom (6.5 cm)
Framing suggestion: Fits well in 40 × 50 cm frames with a mount, or in 33 × 43 cm (13" × 17") frames, or float-mounted

Scale I, Edition of 50
Paper: 17" × 25.5" (43 × 65 cm)
Image: 12" × 18" (30 × 45 cm)
Gallery border: 2.5" sides (6 cm), 3.75" top and bottom (10 cm)
Framing suggestion: Fits well in 50 × 70 cm frames, typically with a mount, or float-mounted.

Note on measurements: Inch measurements are exact. Centimetre values are rounded for legibility.

Caring for Your Hahnemühle Photo Rag Metallic Print

This artwork is printed on 340 gsm Hahnemühle Photo Rag Metallic paper. Made from 100% cotton, it features a beautiful, silvery-shimmering finish that catches and reflects light dynamically, giving the piece a truly unique glow.

Here are a few simple suggestions to help you handle and frame your new piece:

Unpacking & Handling

• Handling the paper: The special metallic finish can sometimes pick up natural oils from your hands or show fingerprints. To keep the image pristine, it's best to lift and hold the print by the unprinted white borders.
• Keep it clean: If you have clean cotton gloves handy, feel free to use them! If not, just make sure your hands are clean and dry before unpacking.

Flattening the Print

Because this paper is quite thick and features a specialized metallic coating, it will naturally want to stay curled after traveling in its shipping tube. It just needs a little time to relax before framing.

• Unroll: Gently unroll the print onto a clean, flat surface.
• Protect: Keep the included tissue paper draped over the artwork to keep dust off.
• Weight it down: Place clean, flat, heavy objects (like large books) on the corners to gently press the paper flat.
• Let it rest: Leave it to settle for a day or two. Don't worry if the paper feels a bit stiff or stubborn at first—the metallic surface makes it more rigid, but it will flatten out beautifully once properly mounted by your framer.

Framing Suggestions

If you are working with a local framer, here are a few recommendations to achieve our atelier’s signature look:

• Use a spacer: Ask your framer for a "spacer" mount. This creates a small physical gap between the glass and the artwork, preventing the metallic paper from sticking to or pressing flat against the glass.
• Frame style: A simple wood profile (we love a 15 mm face and 30 mm depth) frames the work beautifully without overpowering the subtle shimmer of the paper.
• Glass: Anti-reflective glass with UV protection (such as Artglas) is a fantastic choice. It cuts down on glare so you can truly appreciate the metallic effect, and it helps protect the pigments from fading in the sunlight.
• Materials: Simply ask your framer to use acid-free backing boards and tapes to keep the paper healthy over the years.

General Care

• Keep it dry: Avoid using liquids, damp cloths, or cleaning sprays near the unglassed print, as moisture and heavy friction can leave marks on the metallic finish.
• Dusting: If the print needs a quick dusting before it goes into the frame, a very light sweep with a soft, clean brush will do the trick perfectly.