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The soul is where the light lives.
WHSPR - Edition of 5

The soul is where the light lives.

WHSPR

Bewertung: 5 von 5, 134 Bewertungen des Ateliers
Medium
Giclée on handmade kozo washi
Auflage
Auflage von 5, handnummeriert
Zertifikat
Handsigniert
Signiert
Handsigniert

WHSPR was born on screen, but it didn’t go straight to paper. I turned off the atelier lights and projected the image through a semi-translucent membrane, a threshold that softened the grid and let physics into the frame. When I recaptured it, it carried the passage with it.

Printed on thick, handmade 300 gsm white kozo washi with a natural deckled edge, the image feels submerged, as if it’s arriving from within the sheet rather than sitting on top.

The soul is where the light lives.

Paper: 42 × 59.4 cm (16.5 × 23.4")

Image: 33 × 44 cm (13 × 17.3")

Edition: 5 (+1 artist proof retained by the artist)

Printed by the artist with Epson UltraChrome archival pigment inks on thick, handmade 300 gsm kozo (mulberry) washi, formed sheet by sheet using the slow-vat Tamezuki method. The sheet has visible thickness and a natural rigidity. It holds its shape when handled. Long kozo fibres add strength, and the matte surface holds remarkable depth without glare. Left untrimmed with a natural four-sided deckled edge, it reads as an object first, and a print second.

Bitte beachte, dass digitale Bildschirme physische Pigmente nicht perfekt wiedergeben können; der Druck selbst ist die maßgebliche Referenz für Farbe und Textur. Leichte Abweichungen sind naturgemäß gegeben.

The work ships flat. Do not roll.

The sheet is intentionally left untrimmed. Treat the deckle as part of the work.

Handling

  • Use clean, lint-free cotton gloves.
  • Avoid touching the image area.
  • Lift with two hands and keep the sheet flat while moving.
  • The deckled edge is delicate. Take care not to catch it on corners, mounts, or glazing.

Framing

  • Frame without trimming.
  • Ensure an air gap so the print does not touch the glazing. Use spacers or an appropriate mount package to create separation.

Mounting (Archival and Reversible Only)

  • If available, use torn kozo paper hinges with wheat starch paste.
  • Mount to a museum-grade cotton rag backing board.
  • Do not dry mount, heat mount, spray mount, or use pressure-sensitive tapes or full-surface adhesives.
  • For a visible deckle, float mount with minimal hinging, typically along the top edge, allowing the sheet to move naturally with humidity.
  • If using a window mount, hinge the sheet first and ensure the mount does not compress or flatten the deckled edge.

Care

  • Do not use liquids, cleaning agents, or compressed air.
  • If dusting is necessary, use a very soft anti-static brush with minimal contact, avoiding the image area.

5.0 / 5 · 134 Bewertungen des Ateliers

Beautifully crafted piece of art! I can’t wait to see more of his work!
Adam M.
I was lucky enough to get this piece for a good price and I highly recommend getting one for your home or office. It’s really, quite striking. The shipping was quick. Highly recommend.
Jason L.
Love the artwork and am happy to always have a positive interaction with Atelier Kalle Hellzénn. Shipment is great; artwork arrives on time and well packaged. And most important; the artwork is impressive and fills any space with brightness and colors.
Rui

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