
An absolute frequency, emanating from within.
| Flush Mount | Float Premium | |
|---|---|---|
| Mounting | Flush mount (no air gap between print and glass). | Professional float mount (3D shadow effect). |
| Glass | 2 mm float glass. | Museum Glass. 2 mm hand-cut, UV-resistant, non-glare art glass. Protects the surface while maintaining absolute optical clarity and reducing reflections. |
| Construction | Solid Swedish pine with a 15 mm (0.6 in) face and a 30 mm (1.2 in) depth. | Deep-profile shadow box in solid Swedish pine with a 15 mm (0.6 in) face and 30 mm (1.2 in) depth. |
| Frame size | 29 × 43 cm (11.4 × 16.9 in) and 43 × 65 cm (16.9 × 25.6 in) | 37.5 × 51 cm (14.8 × 20.1 in) and 52 × 70.5 cm (20.5 × 27.8 in) |
Editions
Monolith is issued in four formats. Each is a closed edition, and the structure below is complete.
- 297 × 420 mm, 11.7 × 16.5 in, paper. Edition of 150, numbered.
- 420 × 594 mm, 16.5 × 23.4 in, paper. Edition of 50, numbered.
- 1120 × 1680 mm, 44 × 66 in, canvas. Edition of 1, unique in this format.
- 1520 × 2290 mm, 60 × 90 in, canvas. Edition of 1, unique in this format. Framed.
Every work ships with a signed certificate giving its format, substrate, edition size and position, and date of issue. The certificate carries the full structure above, so what you hold is documented against everything else of this image that exists.
Both canvases are held by The PhotoGallery and are sold through the gallery. 1120 × 1680 mm is exhibited in Halmstad, 1520 × 2290 mm in Palma de Mallorca. Enquire at contact@thephotogallery.se.
Origin
Macro photography of clustered PB29, synthetic ultramarine blue pigments.
Edition
Printed on 310 gsm Hahnemühle William Turner, a 100% white cotton paper. Characterised by a fine, highly pronounced felt structure, this mould-made paper provides physical depth and texture. The surface is free of optical brighteners and protected by a matte archival coating, ensuring deep blacks and sharp contrast. The paper is acid and lignin free, and ISO 9706 compliant for high age resistance.
| Paper | Hahnemühle William Turner |
|---|---|
| Weight | 310 gsm, 100% cotton |
| Tone | White, without optical brighteners |
| Surface | Fine, highly pronounced felt structure |
| Coating | Matte premium inkjet coating |
| Archival | Acid and lignin free |
| Standard | ISO 9706 compliant for high age resistance |
| Ink | Lucia Pro II Pigment Ink |
One-of-one
Realised on Hahnemühle Canvas Artist, a matte-coated, natural white canvas. It is free of optical brighteners and features a coarse woven texture that gives the surface physical weight and depth. This substrate provides precise reproduction of colour and detail, with deep blacks and sharp contrast. The canvas is acid and lignin free, highly age resistant, and suited for mounting on stretcher frames.
| Paper | Hahnemühle Canvas Artist |
|---|---|
| Weight | 340 gsm, poly-cotton mix |
| Tone | Natural white, without optical brighteners |
| Surface | Coarse canvas texture |
| Coating | Matte premium inkjet coating |
| Archival | Acid and lignin free |
| Standard | ISO 9706 compliant for high age resistance |
| Ink | Epson UltraChrome PRO Pigment Ink |
Please note that digital screens cannot perfectly replicate physical pigments; the print itself is the definitive reference for color and texture. Subtle variations in character are inherent.
5.0 / 5 · 133 reviews of the atelier
Beautifully crafted piece of art! I can’t wait to see more of his work!
I was lucky enough to get this piece for a good price and I highly recommend getting one for your home or office. It’s really, quite striking. The shipping was quick. Highly recommend.
Love the artwork and am happy to always have a positive interaction with Atelier Kalle Hellzénn. Shipment is great; artwork arrives on time and well packaged. And most important; the artwork is impressive and fills any space with brightness and colors.


















