A reality built from an illusion.
Flattery
Price: 6 930,00 kr- Medium
- Giclée on Hahnemühle William Turner
- Size
- 420x594mm, 15.8x23.6in
- Edition
- Edition of 50, hand-numbered
- Signed
- Hand-signed
- Shipping
- Insured, to Sweden 155 kr
Outside the EU, VAT and Import fees may apply on delivery.
| Flush Mount | Float Premium | |
|---|---|---|
| Mounting | Flush mount (no air gap between print and glass). | Professional float mount (3D shadow effect). |
| Glass | 2 mm float glass. | Museum Glass. 2 mm hand-cut, UV-resistant, non-glare art glass. Protects the surface while maintaining absolute optical clarity and reducing reflections. |
| Construction | Solid Swedish pine with a 15 mm (0.6 in) face and a 30 mm (1.2 in) depth. | Deep-profile shadow box in solid Swedish pine with a 15 mm (0.6 in) face and 30 mm (1.2 in) depth. |
| Frame size | 21 × 29.7 cm (8.3 × 11.7 in), 29 × 43 cm (11.4 × 16.9 in) and 43 × 65 cm (16.9 × 25.6 in) | 27 × 36.5 cm (10.6 × 14.4 in), 37.5 × 51 cm (14.8 × 20.1 in) and 52 × 70.5 cm (20.5 × 27.8 in) |
Flattery is a reality built from an illusion: generatively looped macro photography of my favourite blue, PB29 - synthetic Ultramarine. It is a form that seems larger than it is; a peak that holds because we are willing to believe in it. It is an inquiry into our times.
Flattery opens REACTOR: a new series of artworks of sustained curiosity. It is where attention is applied daily in the atelier without a specific goal, allowing new work to emerge over time. Each piece begins with a what if: materials, physics, photography, and algorithmic loops. What remains is not a planned outcome, but evidence of time spent paying attention.
The stream follows this curiosity to its natural conclusion; whether resolving as a singular one-of-one artefact or a specific sequence, the format is recognised only when the investigation demands material presence.
Origin: Macro photography of clustered PB29 - synthetic Ultramarine Blue pigments.
Realised on 310 gsm, 100% white cotton Hahnemühle William Turner paper. Characterised by a fine, highly pronounced felt structure, this genuine mould-made paper provides striking depth and a three-dimensional effect. The surface is free of optical brighteners and protected by a matt archival-grade coating for deep blacks and impressive contrast. Acid- and lignin-free, the work is ISO 9706 conform for highest age resistance.
| Paper | Hahnemühle William Turner |
|---|---|
| Weight | 310 gsm, 100% cotton |
| Tone | White, without optical brighteners |
| Surface | Fine yet highly pronounced felt structure |
| Coating | Matt premium inkjet coating for outstanding print results |
| Archival | Acid- and lignin-free |
| Standard | ISO 9706 conform / museum quality for highest age resistance |
Lucia Pro II Pigment Ink
Please note that digital screens cannot perfectly replicate physical pigments; the print itself is the definitive reference for color and texture. Subtle variations in character are inherent.
5.0 / 5 · 133 reviews of the atelier
Beautifully crafted piece of art! I can’t wait to see more of his work!
I was lucky enough to get this piece for a good price and I highly recommend getting one for your home or office. It’s really, quite striking. The shipping was quick. Highly recommend.
Love the artwork and am happy to always have a positive interaction with Atelier Kalle Hellzénn. Shipment is great; artwork arrives on time and well packaged. And most important; the artwork is impressive and fills any space with brightness and colors.