- we all have a private sun, but we must sometimes look for it. -

We all have a private sun, but we must sometimes look for it.

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Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Atelier Kalle Hellzén Giclée Hand-Embellished - 80cm x 120cm, 31.5 inches x 47.25inches / Aluminium Mount Private Sun | Hand-Embellished Unique
Private Sun

Private Sun

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Acrylic pouring medium, varnish and pigment ink on acid-free, archival Hahnemuhle 310 grams German Etching fine art paper mounted on Dibond with an aluminum subframe. The Hand-Embellished Unique may bear some signs of artist activity, which add to its one-of-a-kindness and is included in the price.

FROM THE ATELIER

The darkness in the head gives the world its colour. I navigate the world through light and contrast rather than representation — as a red-green colourblind artist, I lean on intensity, structure, and friction to steer a dialogue between machine perfection and human shortcomings. Rather than the flawless, I look for beauty in the unstable, the broken, and the living.

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