- when the world rages, what holds? -

What do I keep when everything else is in storage?

Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print

What do I keep when everything else is in storage?

Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Edition of 20 - 50cm x 50cm, 19.7inches x 19.7inches / White Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Edition of 20 - 50cm x 50cm, 19.7inches x 19.7inches / Black Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Edition of 20 - 50cm x 50cm, 19.7inches x 19.7inches / Print only Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Edition of 20 - 50cm x 50cm, 19.7inches x 19.7inches / White Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Edition of 20 - 50cm x 50cm, 19.7inches x 19.7inches / Black Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Edition of 20 - 50cm x 50cm, 19.7inches x 19.7inches / Print only Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print
Kalle Hellzen Giclée Found and Lost | Limited Edition Fine Art Print

Found and Lost

Limited Edition of 20

CLOSED

  • Signed, numbered and delivered with a Certificate of Authenticity
  • Archival pigment on fine-art paper
  • Packed art-safe, ships insured

Edition of 20 - 50x50cm, 21.7x21.7in
(+25mm border for print only)

Hahnemühle German Etching
310 gsm, 100% α-cellulose
White
Clearly defined felt structure
Acid- and lignin-free
ISO 9706 conform / museum quality for highest age resistance

FROM THE ATELIER

The darkness in the head gives the world its colour. I navigate the world through light and contrast rather than representation — as a red-green colourblind artist, I lean on intensity, structure, and friction to steer a dialogue between machine perfection and human shortcomings. Rather than the flawless, I look for beauty in the unstable, the broken, and the living.

READ THE PROCESS

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