My fine art prints are renderings of original digital paintings and artworks, produced using museum-grade archival processes. They are made on fine art paper with pigment-based inks that preserve chroma, nuance, and intent for generations.

Each print captures the finest details—textures, layers of light, and vibrancy that standard processes cannot reproduce. A print is not a reproduction, but a continuation of the artwork in another form, carefully tailored to render light as faithfully as possible.

Many works begin as digital paintings, often created on my iPad. These pieces exist first as pure light in wide-gamut color spaces such as Display P3 or AdobeRGB, before any pigment or material is introduced.

From there, the image may remain digital, become an edition, or evolve further through transfers, printing, or physical intervention. Each digital painting is a starting point—an original expression that can stand on its own or become the foundation for later transformations.

A Hand-Embellished Unique begins as a digital painting, rendered as a fine art print, and then evolves further—transformed by hand with paint, varnish, transfers, or other materials.

It is always one-of-one, connected to a limited edition, and often becomes the largest and most statement-making work in the series.

A monotype is a one-of-one print—that I create by transferring pigment ink from a giclée print directly onto a surface like a gesso board. Unlike an edition, it cannot be repeated because the process itself is destructive: each transfer is unique, shaped by the pressure, texture, and accidents of the moment.

In my practice, monotypes often evolve through layering and intervention. I may rework the transferred surface with paint, varnish, or knife, or feed it back into the machine for further transformation. The result is an original artwork that exists only once—singular, tactile, and unreproducible.